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・ Hell Hath No Fury (Rock Goddess album)
・ Hell Hath No Fury Like a Woman Scorned
・ Hell High
・ Hell Hole
・ Hell Hole (film)
・ Hell Hole Gorge National Park
・ Hell Hole Reservoir
・ Hell Hole Swamp
・ Hell Hollow slender salamander
・ Hell hound (Dungeons & Dragons)
・ Hell house
・ Hell house (disambiguation)
・ Hell House (film)
・ Hell House (novel)
・ Hell Hunters
Hell icon
・ Hell in a Cell
・ Hell in a Cell (2009)
・ Hell in a Cell (2010)
・ Hell in a Cell (2011)
・ Hell in a Cell (2012)
・ Hell in a Cell (2013)
・ Hell in a Cell (2014)
・ Hell in a Cell (2015)
・ Hell in a Handbasket
・ Hell in My Heart
・ Hell in Normandy
・ Hell in Paradise
・ Hell in popular culture
・ Hell in the Heavens


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Hell icon : ウィキペディア英語版
Hell icon

Hell icons ((ロシア語:Адописная икона), ''Adopisnaya ikona'', lit. "Hell-written icon" or "an icon of a Hell descent") are legendary icons with images of Devil hidden under the primer, the riza or the painted layer. Also, the image of saints could include horns hidden under the paint.
The term "Hell-created" first occurs in ''Prologue'' (Eastern Orthodox Synaxarium) regarding Sabellianist church banners. ''Full Church Slavonic dictionary'' gives the following commentary: "painted in hell". The term "Hell icons" is mostly used amongst Old Believers. The painting of hell icons, known as ''Adopis''〔 or "hellography" (as opposed to iconography), was also a type of black magic in medieval Russia.
Hell icons were first mentioned in the ''Life of St. Basil'' (the 16th century): Basil threw a rock at the icon of Virgin Mary before the eyes of the astonished crowd of pilgrims. Then he allegedly showed that the image of the devil was hidden under the paint.
Messages about hell icons appeared in newspaper articles and the literature of the 19th century, but such articles reported only the later icons of "cheap and clumsily painting."〔 Nikolai Leskov, who was interested in Christian iconography, included a reference to hell icons in his story ''The Sealed Angel'' (1872) and in short article "On hell icons" ((ロシア語:Об адописных иконах)), published in 1873.
Despite these studies, in the 20th century Russian linguist Nikita Tolstoy doubted the fact of their real existence. This point of view is shared by modern art critics due to lack of material evidence (all such icons, if ever existed, have been lost).
== References ==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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